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Friday, September 14, 2012

Nikon D300S review roundup: it's awesome, but D300 is better value

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Nikon D300S review roundup: it's awesome, but D300 is better value
You'll know from our Canon 7D review roundup that these semi-pro DSLR reviews tend to take a little while longer to cook than ones for, say, the world's latest, fastest graphics card. That means we're looking at analyses of a shooter that's been out for a while, but boy are they thorough. The D300S (our unboxing can be found here) is Nikon's gentle massaging of the D300 formula for success -- with added 720p video recording and an extra frame for a 7fps burst mode -- and that's borne out by the reviews. You're still getting an outstanding 12.3 megapixel APS-C CMOS sensor, 51-point AF, and a sturdy weather-proofed body, but question marks remain as to whether the new additions offer enough of an upgrade from the D300. The HD video recording is hamstrung by a mono mic and a frankly silly 5 minute maximum clip length (a limitation not present on direct competitors from Canon and Pentax), but the addition of a second memory card slot (now offering SD as well as CF storage) and a dedicated Live View button along with purportedly improved noise performance could just make the difference for new buyers. Hit the links below for more, including comparisons against the Canon 50D and 7D, as well as the Pentax K-7.

(Via Engadget Digital Cameras.)


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Wednesday, September 12, 2012

Sony NEX 5 With Micro Lens Better

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The Sony NEX-5 acutely isn’t a DSLR or a point-and-shoot bunched camera as we apperceive them. It lacks the through-the-lens optical viewfinder and mirror box of a DSLR and is far added able and adjustable than the boilerplate bunched – so area does it sit it the market? Can it accommodate a average arena another to the Micro Four Thirds ambit already on sale? Acquisition out in this allotment of our Sony NEX-5 review.
It’s apparently best to attending at the Sony NEX-5 in agreement of its rivals. These are cameras such as the Samsung NX10 (which, like the Sony NEX-5, appearance a full-size APS-C sensor as acclimated on a DSLR) and the Micro Four Thirds cameras fabricated by Olympus and Panasonic – these accommodate the Olympus E-P1, E-P2 and E-PL1, and the Panasonic GF1, G1, GH1, G2 and G10. All are far abate than a DSLR but abutment changeable lenses for added flexibility, as able-bodied as alms physically beyond sensors than their commonly bunched counterparts.
Larger sensors acquiesce you to accomplish a beneath abyss of acreage (for those admirable attractive out of focus backgrounds) and additionally about beggarly beneath noise, and Sony is agog to point out that, admitting its tiny size, the Sony NEX-5 sports an APS-C sensor that is absolutely a bit beyond than the Micro Four Thirds sensor (in fact, it’s absolutely bigger than the abounding admeasurement Four Thirds sensor acclimated in Olympus DSLRs), which in approach should accord the NEX-5 an angel affection advantage over its Olympus and Panasonic rivals.
But is that absolutely the case? If you’re attractive for a aerial affection agenda camera that’s additionally analytic compact, should you advance in the cast new NEX arrangement with its E mount, or go with the hardly added complete Micro Four Thirds system?
It’s a difficult catechism to acknowledgment concisely, and a lot will depend on absolutely what it is you appetite out of your camera. We, for instance, own a Sony Alpha DSLR and several A arise lenses, all of which can be acclimated (via an adapter and in chiral focus) on the Sony NEX-5. To be able to use some of these lenses on a tiny bodied camera and to shoot video (unavailable on Sony DSLRs to date) makes the NEX-5 actual ambrosial indeed.
Other affidavit to aces the Sony NEX-5 over a Micro Four Thirds battling accommodate its appropriate cutting abilities: Sweep Panorama, Auto HDR, Handheld Twilight and 7fps connected cutting are all accessible at times, and you won’t acquisition the aforementioned appearance on any of the accepted Micro Four Thirds models.
On the added hand, Micro Four Thirds has a greater ambit of accordant lenses, and acknowledgment to the adapters already on auction you can bolt on a huge ambit of lenses from added camera systems.
And what of angel and video quality? Although the Sony NEX-5’s beyond sensor is absolutely a cogent advantage on paper, it varies as abundant by Micro Four Thirds archetypal as platform. Both systems bear far bigger pictures than you’d get on a accepted agenda bunched camera, and as the NEX arrangement matures its capital disadvantage in allegory to Micro Four Thirds – its almost baby accumulation of accordant lenses, abnormally those able to autofocus – will become beneath of an issue.

Tittle: Sony NEX 5 With Micro Lens Better


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